I
’m often asked, “Why mix on an expensive full-range system when most people are listening to cheaper home systems or iPods?” My reply, "Exactly!" The reason is…you need to hear everything in the mix, including subsonics and other sounds that may be troublesome for those very systems. A primary goal of mastering is to make the mix sound great on as many systems as possible.
When you’re happy with the mix, we can master it here or you can take it to the mastering room of your choice. Either way, any needed adjustments will be minor. The mastering engineer will be able to concentrate on his craft, without fighting a mix done on nearfield monitors in a bad room.
In either case, we'll both be
very happy.
DEMO: “The Difference” (Air Products & Chemicals’ Corporate Band)
This was recorded in ProTools at 96K/24-bit
You can download the above full bandwidth .AIFF samples HERE:
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